The following is a quick-fired dispatch from the outer bank regions of the zombie horde (i.e. from Pete (@allistelling) and Anna (@anna_phd)) to the #TvsZ community. #TvsZ is a massive zombie lore-based contemporary composition learning game. (That’s what we said: a massive zombie lore-based contemporary composition learning game.) Others are welcome to read it as it has equal amounts of connected learning and contemporary composition talk!
This week I came across a post by Ian Bogost in the Atlantic called, “Shaka, When the Walls Fell“. The subject matter, of all things, was an episode of Star Trek, but more generally, language, figurative language, and meaning. If, like me, you are not a Trekkie, Bogost has your back. He recounts the episode nearly play-by-play while leading you gently in to the deep waters of language and meaning. I suggest reading the piece, so I won’t give a grand redux here. Rather, here are some main points and questions that I have been thinking about since:
Bogost offers a subtle and powerful critique of the way metaphor is typically depicted. The characters on the Enterprise are trying to talk to another species, the Tamarians, who communicate purely through short verbal referents to historical, cultural occurrences. Some call it metaphor, some images, and Bogost suggests: “Troi and Picard can’t help but interpret Tamarian through their (and our) cultural obsession with mimicry: Metaphorical language operates not by signification, but as poetry, by transforming the real in a symbolic mirror.”
He doesn’t go here (and in fact goes a completely different direction), but he has me wondering when (or if ever) words, whether figurative or as referent or sign, are ever real, or if they are always merely mirrors. I want to veer to the other end of that proposition. There are times that I feel words like weights inside me. They dangle before dropping from my thoughts. My eyes tighten in response and recast my vision and memory. This isn’t always. But there are times when words, especially those operating as metaphor, couldn’t feel more “real” (whatever that is).