This week I have the opportunity to join with many of you at the Literacy Research Association‘s annual conference. I look forward to catching up on the great work that I am usually only able to follow at a distance. Here are three times you can catch up with me:
Methods for Researching Transliteracies in Practice:
An Embodied Theoretical Review
On Thursday December 3, 2015 8:45am – 10:15am in Costa Del Sol Ballroom – Salon E, you can join us in an Alternative Format Session. This alternative session addresses a central challenge for literacy researchers–how to account for practices ‘on the move’–by drawing together literacy scholars working at the methodological cutting edge. Through data demonstrations and an embodied theoretical review, this symposium initiates a concerted effort to gather a set of innovative methodological tools that address the complexity of transliteracies in practice. The audience will collaborate in constructing a visual map, considering with panelists how to ethically represent marginalized voices.
Anna Smith, University of Illinois, Urbana-Champaign
Amy Stornaiuolo, University of Pennsylvania
Nathan Phillips, University of Illinois at Chicago
Christian Ehret, McGill University
Matthew Hall, The College of New Jersey
Jon M Wargo, Michigan State University
Joanne Larson, University of Rochester
“I’ve Become a Student of This”:
Temporal Practices in Transcontextual Writing Development
Continue reading “Where’s Anna: Literacy Research Association Edition”
This post is updated to include a recording of the event...
Tuesday (8/19) at 8PM EST was the second live event in the month-long focus on young adults and their writing practices from #literacies chat and the Literacy Research Association‘s Research to Practice webinar series. I was honored to join Jen Scott Curwood, Ryan Rish, Jeremy Hyler, and moderator Paula DiDomenico and discussant Mellinee Lesley in the live LRA Learning Research to Practice show.
In addition to discussing the kind of research we do regarding writing and young adults, we discussed the current context for teaching young adult writers, and how we typify the young adults’ writing practices. We tackled the reoccurring question: What does it mean to teach young adults how to write? And finally, we discussed what we hope to see in research and practice in regards to young adults and their writing practices.
Continue reading “IAmA LRA Show Guest: Young Adults & their Writing Practices”
For the second July in a row I had the opportunity to participate in the National Writing Project‘s Making Learning Connected MOOC, or #clmooc as it is more commonly referred to across the webz.
Set up as a massive (over 1,000 makers), open (free, no prerequisites, across multiple platforms including offline), online (hosted at Educator Innovator) collaboration (organic, responsive series of make cycles led by participant-facilitators), this year I was able to experience the ways that connected professional development can allow us to learn in what typically would be considered disconnected ways. Case in point: #clmooc officially ended on August 2nd. It’s August 8th, and I am now working on my responses to the Make Cycle that began mid-July. Mind you, there is power in learning in synch and in conversation with others, but the threads of my “classmates'” work and conversations lay available to me across cyberspace, and what I would have otherwise missed due to life interruptions, I can now contribute to, i.e. learn by making and connecting.
So, let’s get to it. In Make Cycle #4, we were invited to Hack Your Writing. This led to a myriad of various makes and forks and very cool conversations about what it means to “hack.” I was (and still am) especially influenced by several fellow participants who grappled with what it means to “hack” and whether revising written products should be considered “hacking” at all.
Continue reading ““Ahhhh, so this is what hacking feels like”: Ingenuity, Challenge & Glimmering Subversion”
On March 8, 2014, I had the opportunity to tackle a new format for sharing my research–an Ignite Talk. With 20 slides that advance automatically after 15 seconds, those preparing Ignite Talks are given the charge to “be inspiring, but make it quick.”
I chose to talk about “learning pathways.” The word “pathways” showed up in 48 of the 70 session titles at the Digital Media and Learning Conference this year. I had yet to hear, however, someone talk about the concept directly, and critically. In the talk I asked:
From my work researching the pathways of young men as they develop as writers, I had a few items I thought could provoke a conversation. Such as:
Below is a voice recording over the slides. Feel free to discuss in the comments below!
Continue reading “Learning Pathways: #DML2014 Ignite Recap”
Thanksgiving is easy.
Hear me out: Turkey? Stick it in an oven for hours. Mashed potatoes? Boil some water. Yams? Sprinkle some brown sugar. Green beans? Open a can. Even hand-whipped whip cream? Yep. That, too. Whip it.
Even if you end up making a Half-Trifle Half-Shepherd’s Pie Rachel Special, “what’s not to like?” Joey will eat it.
Yes, I have a point.
We like to make Thanksgiving a big deal. Sure there are more mouths to feed, more places to set at the table, more potatoes to peel, but it’s not any more difficult than a single crème brûlée. A good mole? I have no idea where to start.
In the same way, there are some of us who still think that digital content creation—a video, a blog post with an image, a podcast, a visual meme, a musical track, an image collage—is a big deal. I am here to say that like Thanksgiving, it isn’t that hard. In fact, digital content creation has never been easier. We don’t have to wait until next year for Facebook to provide us with another 30-second video with five of our photos. We can make our own in just about the same amount of time it took to watch it.
Here are my go-to apps for composing-on-the-go:
This last winter, my nephew was performing at an Open Mic with his brother for the last time before he left on a two-year service stint. As I watched the performance, I took snapshots and recorded a couple of the songs. And as I went up to the bar to order a hot chocolate, I opened Animoto on my phone, selected a couple of pictures and a snippet or two of the video, typed a couple of words. Continue reading “Easy as Pie: Thanksgiving Dinner and Digital Content Creation”
Today I came across this recording of the spoken word piece by Bonafide Rojas called “In Front of the Class.” In it, he describes a group of youth who, at first glance, may seem hopeless. He says to the young people:
Let the page be a doctor.
Let the page be a therapist.
Let the page be a lover.
Let the page be your enemy, punch it in the face.
Let the page be your best friend
who will never stab you in the back.
Let the page be your Prozac.
Let the page be your hip hop.
Let the page be your rock and roll.
Let the page be that fancy ride you’re always talking about.
Let the page be that bling, bling on your wrist.
Let the page be the underground beat you’re about to rip.
Let the page be your autobiography.
This week I will be speaking with the NYU’s ELL (English Language Learners) Think Tank, a consortium of teachers from across New York City. One of the first things I am going to do is ask us to (re)think the typical definition of writing that we see at work in our schools, and particularly the limited ways we talk about writing when working with those who are learning English. What do we “let the page be”?
For the young men I got to know while researching how young men develop as writers, “the page” was all of the things Bonafide Rojas listed, and more. At some point during the two years that I traced their writing practices, each of the young men dealt with particular social tensions like for one young man, trying to make sense of having an abusive father, and for another young man, being considered by some to be “too White” and by others as being “too Latino.” To make sense of these social tensions, each of the young men independently turned these literal issues into figurative literary tropes through writing.
Continue reading “What Do We “Let the Page Be”?”
In December I had the pleasure of joining a group of 5th graders in the high desert mountains of Utah. That week, my niece, Alaina, and her classmates had just asked their teacher if they could have time to write to children in Newtown, Connecticut after the Sandy Hook Elementary School tragedy. In a discussion with Alaina about how she decided what to write about, … Continue reading Dummy Runs and Schooled Writing
How can I hear my own voice unless it bounces off of yours? I have had that single line in my mind for years. It isn’t particularly poetic, and I don’t completely agree with what it implies, but I’ve tried relentlessly to write the poem I hear inside it. It has something to do with the way the masses in NYC weave, avoid, embrace. I … Continue reading Your Voice in Mine
Update: You can now navigate this conversation here. One of the many potentials of the shifts in re-envisioning writing in multimodal spaces is the chance for new conversations — for stretching out thinking beyond your own physical space and joining in discussions about the changes now underfoot. During November 2012’s Digital Writing Month, educators and writers and others from across many teaching levels and learning domains — … Continue reading Creating Conversation: Composing in the Digital Age