Easy as Pie: Thanksgiving Dinner and Digital Content Creation

Thanksgiving is easy.

Hear me out: Turkey? Stick it in an oven for hours. Mashed potatoes? Boil some water. Yams? Sprinkle some brown sugar. Green beans? Open a can. Even hand-whipped whip cream? Yep. That, too. Whip it.

Even if you end up making a Half-Trifle Half-Shepherd’s Pie Rachel Special, “what’s not to like?” Joey will eat it.

Yes, I have a point.

We like to make Thanksgiving a big deal. Sure there are more mouths to feed, more places to set at the table, more potatoes to peel, but it’s not any more difficult than a single crème brûlée. A good mole? I have no idea where to start.

In the same way, there are some of us who still think that digital content creation—a video, a blog post with an image, a podcast, a visual meme, a musical track, an image collage—is a big deal. I am here to say that like Thanksgiving, it isn’t that hard. In fact, digital content creation has never been easier.  We don’t have to wait until next year for Facebook to provide us with another 30-second video with five of our photos. We can make our own in just about the same amount of time it took to watch it.

Here are my go-to apps for composing-on-the-go:

Animoto

This last winter, my nephew was performing at an Open Mic with his brother for the last time before he left on a two-year service stint. As I watched the performance, I took snapshots and recorded a couple of the songs. And as I went up to the bar to order a hot chocolate, I opened Animoto on my phone, selected a couple of pictures and a snippet or two of the video, typed a couple of words.  Continue reading “Easy as Pie: Thanksgiving Dinner and Digital Content Creation”

To DEAR (Drop Everything And Read) or to DREAM (DRop Everything And Make)

Last weekend, as I was walking to my weekend office (my favorite cafe in El Barrio, East Harlem Cafe), I passed the corner of 105th and Lexington, which had been under construction for the last months. Suddenly, I heard someone calling my name from inside the building. Sure enough it was Manny Vega, visual artist and mosaicist extraordinaire, who is well-known for his restoration of … Continue reading To DEAR (Drop Everything And Read) or to DREAM (DRop Everything And Make)

My Month as a “Disconnected” Educator–Part II

In Part I, I described Connected Educator Month, and how I have purposefully “disconnected” this month by heading out to the mountain deserts of my youth, and next week off to a sleepy, coastal Mexican village. Like today, I check in every once in a while, which is the only reason I even found out about the Connected Educator Month activities, which inspired these posts. So, what have … Continue reading My Month as a “Disconnected” Educator–Part II

Forget Defining Literacies. What’s ‘Writing’?

I’d like to talk to you about the 468th episode of This American Life. Specifically, I want to hone in to 23 and 1/2 minutes that makes up Act Two: Forgive Us Our Press Passes. I don’t recommend many things, as a habit, but this is worth your time. In producer Sarah Koenig’s story about a company called Journatic, which outsources local newspaper stories, be whisked away into … Continue reading Forget Defining Literacies. What’s ‘Writing’?

Getting the Picture: Writing in a Parallel Pedagogy Classroom

It has been a while since Joel Malley provided the following video in preparation for a congressional briefing on digital literacies. However, after a couple of months of conference attendance, I think the video is still needed, relevant and effective in providing a picture of the changing nature of writing in the digital age, and the pedagogical changes that must follow. What I appreciate most about … Continue reading Getting the Picture: Writing in a Parallel Pedagogy Classroom

A New Ethic for Digital Composition: Cosmopolitanism

Do youth need thoughtful, guided practice composing for potentially global audiences?

Recently, a friend on Facebook posted a question asking what age it is appropriate for a child to have an email account. About 29  comments later, it had became apparent that in the 3rd and 4th grades in this school district, teachers were setting up email accounts with students. Many of these comments were ones of frustration over the lack of parental notification and participation in this activity, but one in particular stood out for me. One person asked: “What possible reasons could there be for a 4th grade child to have an email account?” I don’t typically engage in Facebook conversations, especially emotionally-charged ones, but I felt that I could contribute a few “possible reasons why” youth should be participating in digital communication in thoughtful, guided ways.

EGYPT-PROTEST/

Even with the digital divide present and growing, the nature of composition has changed in the digital and networked age in such a way that the capability to be producers and critical consumers of knowledge is now more widely available. Take social media outlets: More people of all ages, nationalities, genders, and socio-economic positions produce news, comment on social issues, and even stage revolutions. These possibilities disrupt our existing societal power dynamics, and in turn, necessitate a new ethic of exchange with distant, unknown, imagined others. Critical reader-writers must take into consideration not just the interpretations they have intended as authors, but also the possible interpretations of audiences previously unimagined and out of reach.

Continue reading “A New Ethic for Digital Composition: Cosmopolitanism”

Welcome to the United States, Developing Writers!

Although only the hardback version (a.k.a. expensive collectors’ item) of our new book, Developing Writers: Teaching and Learning in the Digital Age, shows up on Amazon and Barnes & Noble, the Buy Now and Desk Copy buttons at Open University Press, U.S.A. are now functional! (Amazon does have a Kindle version.) With Richard Andrews, Dean of Faculty and Professor of English at the Institute of Education, University of London, … Continue reading Welcome to the United States, Developing Writers!